FIVE PLAYWRIGHTS AT THE OLD STONE HOUSE!
On Thursday, February 16, 2012 at 8 p.m., Brooklyn Reading Works presents the 2012 edition of New Plays by Brooklyn Playwrights, an annual event curated by playwright Rosemary Moore. New Plays by ooklyn Playwrights brings together five accomplished playwrights presenting their latest works-in-progress. Here's your chance to look behind the curtain of the creative process and find out what these artists are up to.
Another year, another great selection of staged readings of new plays (and a musical) by Trish Harnetiaux, Marian Fontana & Leah Gray Mitchell, Karen Hartman, and Joseph Goodrich. Introduced by Rosemary Moore.
Suggested donation of $5 includes refreshments. For information or interviews call Louise Crawford 718-288-4290 or louise_crawford@yahoo.com
Marian Fontana is a playwright and performer whose plays and one-woman shows have been performed at Playwrights Horizons,the Vineyard Theater, Variety Arts and more. Her writing has appeared in The New Yorker and Vanity Fair. Her memoir "A Widows Walk" was published by Simon and Schuster in 2005 and was chosen as People Magazines "Top Ten Reads" for that year. She recently finished her second memoir, Middle of the Bed.
Joseph Goodrich is an Edgar award-winning playwright and the editor of Blood Relations: The Selected Letters of Ellery Queen, 1947-1950 (Perfect Crime Books). His plays have been produced across the United States and in Austrialia, and are published by Samuel French, Playscripts, Inc., The Padua Hills Press and others.
Trish Harnetiaux is a Brooklyn based playwright. Her most recent full-length plays include Your Pretty Little World, adapted from Shirley Jackson's novel, The Bird's Nest, Welcome to the White Room, and Mr. Bungle and the Incident on Lambdamoo. She has been a two-time fellow at both the MacDowell Colony and The Corporation of Yaddo. Harnetiaux received her MFA from Mac Wellman's playwriting program at Brooklyn College and currently, she is a member of the 2011/2012 Soho Rep Writer/Director Lab where she is writing her new play, an unconventional love story, titled The Convention.
Karen Hartman's Goldie, Max, and Milk premiered last season at Florida Stage and the Phoenix Theater, and was nominated for the Steinberg and Carbonell Awards. Wild Kate opened at ACT in San Francisco ,and will be published by Playscripts this month. An alumna of New Dramatists, Karen has taught playwriting extensively, including at the Yale School of Drama, and currently leads popular writing workshops in New York. Her prose has been published in the New York Times. Leah Gray Mitchell graduated from the NYC High School of Performing Arts as a music major and received her BFA in dance from SUNY Purchase. She has performed in numerous films and theatre projects, as well as composing and performing original music.
Rosemary Moore's Side Street, Slight Kidnapping, The Bar Play, Aunt Pieces, Pain of Pink Evenings and Pineapple have been read or staged at the Cherry Lane Alternative, The New Group, New York Theater Workshop, New Georges, Manhattan Theater Source, The Old Stone House, Barbes and Here. Her play The Pain of Pink Evenings was published in The Best American Short Plays of 2001 by Applause Books. During the day she teaches writing at Rutgers University. Rosemary holds an MFA from the Dramatic Writing Program of Tisch School of the Arts at New York University where she studied with Maria Irene Fornes and Tony Kushner
2011-2012 SEASON September 15, 2011: Italian Americans: History, Politics and the Everyday curated by Joanna Clapps Herman
October 6, 2011: Tranformations on the Tongue curated by Pat Smith
November 17, 2011: Make Mine a Double (Why Women Like Us Like to Drink) curated by Gina Barreca
January 19, 2012: The Truth and the Ghostwriter curated by John Guidry
February 16, 2012: New Plays by Brooklyn Playwrights curated by Rosemary Moore
March 15, 2012: The Year of the Dragon: Voices from the East curated by Sophia Romero
April 19, 2012: An event curated by Marian Fontana May 10, 2012: Edgy Mother's Day curated by Louise Crawford and Sophia Romero
